portrait painting

When you realise it has been a year since your last post...

Forgive the cliché but this year has gone by fast! I hope everyone had a great time and ticked off a few things they had wanted to explore and accomplish. I've just moved into a new apartment and am re-organising my studio for the coming years work. It seems like a great time to do it with this crappy weather too! A massive thank you again to my clients in 2017. I worked on some amazing commissioned portraits of both people and animals, even one with both in the same image! I thought I would share a handful of images here from the year. Enjoy!

A super close detail from most recent commisison.

A super close detail from most recent commisison.

The pin stripes on this dress were a challenge!

The pin stripes on this dress were a challenge!

Here are a few images from my most recent oil painting commission for a wonderful couple all the way over in California. They commissioned the painting for their 40th wedding anniversary and didn't want to leave behind the third member of their family, their beautiful Golden Retriever Clancy!

For this piece the clients couldn't find suitable existing images for the work. On my recommendation we agreed to hire a local photographer in their area to take some NEW images. The photographer was worth the small investment! We now had some great images to work from and do the painting the justice it deserved. A few things that stood out with the new image was both the quality of light, colour, detail and composition. I really enjoyed painting this piece! 

Clancy.jpg
on the floor.jpg

boy in frame for web.jpg

'Return to an Innocence Lost' framed in hand welded raw steel, float mounted under museum quality non reflective glass. In 2017 I had this drawing framed, an important part of a large body of work about the American side of my family and the Pacific War that interrupted their lives. A big part of the concept of this body of work centres around the contrast of rural innocence with the first hand experience of the Pacific War. It was important to me that the medium of the frame contrasted with the softness and gentle nature of the drawing that sits within it. It comments on the nature of war. Soft flesh meeting raw metal. 

boy with dog for web.jpg
boy with dog web 2018.jpg
frame edge.jpg
frame edge corner.jpg

Just before the winter break I mounted and wrapped some treasured drawings and a one off lithograph from back in 2008. Within this collection there is one pencil on paper portrait drawing of my grandfather Billy Bowman. To my understanding this image was taken from when he was first in the U.S. Marine Corps. I love the image the piece is drawn from as you could see a wealth of youthfulness and innocence in his facial expression. This contacts heavily with the photos of him returning from the war in the Pacific. When looking back on the drawing after a while of it being hidden away I loved seeing some of the mark making, especially the cross-hatched background.

A pencil on paper drawing of my grandfather Billy D Bowman way back from 2008. It felt great to have it finally mounted and safely protected in cellophane. 

A pencil on paper drawing of my grandfather Billy D Bowman way back from 2008. It felt great to have it finally mounted and safely protected in cellophane. 

The white pencil drawing on black paper is another depiction of my grandfather. On this occasion it depicts him as a young boy in rural Illinois. I fell in love with the original photograph in large part because of the dilapidated building in the background. It helped to contextualise the artwork in the era of the Great Depression which he was experiencing as a young boy to a single mother in the countryside.

for blog church.jpg

The largest piece of the collection is a one off hand drawn lithograph. It was made in the print rooms of Bristol UWE. I had a great teacher there who encouraged me to try lithography, I felt straight away that the medium suited my mark making and style of drawing. There is a great richness to the medium, as well as it being a fun and labour-intensive process. 

living room litho.jpg
for blog 2018 dm cele.jpg
for blog 2018 dmc.jpg

The small black charcoal pencil drawing on white paper is a study from a Paula Rego series of work entitled 'Dog Woman'. This body of work has always inspired me. Beautiful yet raw figurative drawing. With this piece and the red pencil on white paper drawing I tried to emulate her style and get a feel for her way of drawing. 

If you are interested in purchasing any piece/s from this series don't hesitate to send me an email with your enquiry. 

Hope you are all having a positive start to the New Year. We're nearly in February and the days are getting longer!